The Trellick Tower
This iconic building has loomed over West London for over forty years. Please click here to read an earlier post in which I detail the tower’s history.
When it came to architecture of the 1960s and 70s, concrete ruled supreme.
During this period, countless tower blocks sprouted up all over the UK in a rushed and misguided attempt to provide homes for families who were much more accustomed to being closer to terra firma.
The towers and the estates upon which they squatted quickly proved to be ineffectual, disintegrating communities and providing fertile grounds for crime and other social complications.
In recent years, many of these tributes to alienation and botched planning have been thankfully demolished.
However, one of the most famous examples from that era- London’s Trellick Tower– is still standing, stronger than ever… and, unlike many of its destroyed concrete cousins, it is now a celebrated piece of late 20th century architecture.
With its distinctive design, the 31 storey tower, which stands on Kensal Town’s Golborne Road, a short distance from the famous Portobello Road market, has become a modern London icon, visible from many parts of the city.
The Trellick Tower is so embedded in London’s fabric that it even featured in the promotional handover video which was played at the closing ceremony of the 2008 Beijing Olympics.
Erno Goldfinger: Trellick, I am your father…
The architect behind the Trellick Tower was a chap called Erno Goldfinger… and yes, there is indeed a connection with James Bond which we shall discover shortly!
Born in Budapest, Hungary in 1902, Erno Goldfinger was quite a character.
He moved to London in 1934 after marrying Ursula Blackwell (heiress to the Crosse and Blackwell condiments company) and by all accounts was a gruff, egotistical, arrogant man with a fierce temper and zero humour- during his career, he fired a number of assistants for simply sharing a joke in his presence!
Having said that, others who came into contact with the architect stated that, at times, he could be most charming.
Towering at over 6ft tall, Erno’s personality certainly matched the style of architecture which he would eventually became most well-known for- ‘Brutalism.’
His first work in London was a set of apartments which came to fruition in 1939 at numbers 1-3, Willow Road, Hampstead. Goldfinger himself lived and died here.
For its time, this design was ultra-modern and certainly didn’t fit in with the more traditional appearance of the other housing stock cluttered around the heath.
Many Hampstead residents found this striking design an unwelcome intrusion… one of these local critics was Ian Fleming, creator of Britain’s most dashing superspy, James Bond.
It is said that Fleming despised Erno Goldfinger’s architecture and personality so much, he decided to borrow the distinctive surname and apply it to one of his most notorious villains- ‘Auric Goldfinger’!
When the novel was released in 1959, Erno Goldfinger was furious.
As well as the name, the fictitious baddie shared an uncannily similar family background to the architect; both being East European Jews who’d emigrated from their homelands in the 1930s.
Also of course, there was the fact that the pair were both domineering control-freaks who would let nothing stand in the way of their visionary work!
At his office, Erno Goldfinger dished out copies of Fleming’s novel, demanding an opinion on the text.
After reading the book, one brave employee quipped that the only difference between the character and the real man was that “you’re called Erno and he’s called Auric.”
It’s safe to assume that this individual was quick to receive his P45!
Erno Goldfinger decided to get his lawyers involved and the matter was quickly tided up- all the publishers had to do was pay the relevant costs and declare that all characters in the novel were fictitious.
Ian Fleming meanwhile was enraged at the fuss… and almost persuaded his publishers to change the fateful name to the rather more offensive ‘Goldpri*k!’
Today, Goldfinger’s Willow Road dwelling is owned by the National Trust and is open to the public. (Please click here for more information).
On the high rise
From the late 1950s onwards, looming tower blocks began to mushroom across London as council planners decided to put all of their housing eggs into one big concrete basket.
At first, these sprawling estates were embraced by many- in their early, unspoilt state, the high-rises were considered clean and modern; ‘streets in the sky’ with their apartments boasting ample space, impressive kitchens and indoor toilets- a truly rare luxury for many working class Londoners.
Erno Goldfinger was a staunch supporter of the tower-block craze and his first design in the emerging style was 1963’s Balfron Tower which still stands in the east end, overlooking the Blackwall Tunnel Northern Approach.
The Balfron would prove to be the forerunner to the Trellick Tower.
As part of a publicity stunt, Erno spent several weeks living in one of the Balfron’s flats with his wife, during which time he identified problems that required ironing out and could be avoided in future projects.
With his post-war work, Erno was influenced by a fellow architect; the Swiss-born and adopted Frenchman, Le Corbusier.
Corbusier was instrumental in pioneering the architectural style known as ‘Brutalism’; derived from the French phrase, ‘beton brut’ which translates as ‘raw concrete.’
In London, two of the best examples of Brutalism are very famous buildings indeed- The Barbican complex and The National Theatre.
Europe’s earliest tower-blocks, built under the influence of Le Corbusier, appeared in sunnier climes; mainly around the Mediterranean in cities such as Marseilles.
In this environment, the stark concrete looked rather appealing, especially when situated close to sparkling, blue seas, their facades painted in pastel colours to reflect the sun.
However, when transplanted to Britain’s colder, greyer cities, Le Corbusier’s philosophy failed to translate and, by the 1970s, it was becoming clear that the enthusiasm poured into these sprawling swathes of concrete had been one almighty mistake…
The Trellick arrives
Erno Goldfinger’s Trellick Tower was commissioned by the Greater London Council in 1966 and was one of the last of the towering monoliths to be given the go ahead.
In 1968, whilst the Trellick was still under construction, the effectiveness of the tower block building spree was brought into question when Ronan Point; a 22-storey block in Newham, suffered a gas explosion, causing floors to collapse and four people to die.
Erno Goldfinger however didn’t let this event bother him, confident that his own unique design was safe and sturdy.
By the time the Trellick Tower opened in 1972, such council blocks had gained a notorious reputation for being harsh, alienating environments prone to crime and squalor; a reputation which would only worsen throughout the late 1970s and 1980s.
The Trellick was plunged into chaotic, hellish conditions from the start.
As journalist, Rory Carroll once recalled; “the nightmare would start moments after entering the lobby. Stench of urine, beer and stale sweat would seep from shadows, the lights would be smashed again and the corridor vandalised into gloom… walk and the broken bottles and syringes crunched underfoot.”
During the Trellick’s very first Christmas, residents were left without heat, water or electricity as a group of vandals decided to smash a fire hydrant as part of their festive fun. Thousands of gallons of water were sent gushing down, flooding the lifts and corridors and blowing fuses.
Over the following years, the rota of misery grew and grew.
One pensioner, forced to climb the stairs after finding the lifts to be broken yet again, collapsed in a stairwell and died. Drug abusers lurked and muggings became rampant. There were several terrifying reports of attacks on children and women being raped.
One young mother, suffering from depression and unable to take life in the council block any longer, threw herself off of one of the Trellick’s wind-swept balconies.
Such incidents resulted in The Trellick earning a dubious nickname…
‘The Tower of Terror.’
Tune into the Trellick
In the midst of these depressing social problems, something bold, creative and cheerful managed to emerge when a local resident- Leroy Anderson Lepke, along with his sister who went by the name of ‘Ranking Miss P’, went about establishing a hip, pirate radio station to cater for the area…. the antenna of which was secreted right on top of the Trellick’s soaring rooftop.
Originally called ‘Rebel Radio’ and first going on air in 1981, this station quickly became known as the ‘DBC’. A play on BBC, these adapted initials stood for ‘Dread Broadcasting Corporation’.
The DBC specialised in playing reggae, dub and soca records; music which was popular amongst the local West Indian community, but was not sufficiently represented on any national radio station at the time.
As this rare and fun promotional animation demonstrates, the DBC had a lot of vitality:
Picked up on crackling sets all over North-West London and beyond, the DBC quickly became extremely popular- its organisers even running a successful side line in t-shirts boasting the DBC logo; an essential fashion accessory at the time!
At its height, it is estimated that up to 100,000 people were tuning into the cool rhythms being beamed from the Trellick’s rooftop.
As the DBC’s popularity increased, so too did the arrests… the unlicensed station was busted on numerous occasions and was finally forced to disappear in 1984- although they did manage to go out with a bang, pulling off a live broadcast at that year’s Notting Hill Carnival.
A more detailed account of the DBC can be found here. The site also features a number of authentic recordings which were taped whilst the station was on air.
Today, an antenna for sending out broadcasts in still in place on top of the Trellick- although this one’s slightly more legit in that it’s owned not by the DBC but the BBC! In the trade, this transmitter station is officially known as ‘Kensal Town’.
The Trellick undergoes a Renaissance
Despite its distressing past, the Trellick Tower today is one of London’s most sought after properties.
The change occurred gradually, the main impetus being the introduction of ‘right to buy’ and the formation of a resident’s association in 1984.
A similar body had been successfully established in another one of Goldfinger’s tower-blocks- Glenkerry House in Poplar, which was completed in 1979 and, like the Balforn Tower, is a close cousin of the Trellick:
The association fought hard to improve the Trellick, their main concern being security. An intercom system was introduced along with a concierge. In later years, extensive modernisation was carried out within the building’s interior, making it smart, clean and worthy of habitation.
There is a famous incident in which Ms Lee Boland- chairwoman of the Trellick’s residents association- met Erno Goldfinger (who evidently liked to keep an eye on his works) in one of the tower block’s lifts.
Erno gave Ms Boland a grilling, demanding to know what she liked and didn’t like about the flats. Ms Boland stated that she was generally happy with the design of her apartment, “except the designer hadn’t put a broom cupboard in the kitchen.”
Erno, in his typically bluff manner, replied by saying, “Bloody women… never satisfied”!
By the late 1990s, the Trellick had cleaned up its act considerably and was now a place where many people actually wanted to live, the prices of the apartments rising stratospherically.
A while ago, I was flagged down one evening by a young couple on their way to a swanky party at the Trellick… and they admitted that they were just as interested in seeing the architecture of their friend’s flat as they were about the drink and socialising!
Today, the distinctive tower block’s role in recent social history has been acknowledged by the authorities and has consequently been awarded grade II listed status.
Sadly, the Trellick’s grouchy creator, Erno Goldfinger passed away in 1987 and never got to witness the love which eventually flourished for his masterpiece.
In a way, it’s probably just as well, as the boasting and inevitable calls of ‘I told you so’ from the loveable old grump would have surely been insufferable!
Lights, Camera, Action! The Trellick on film
Because of its unique and strangely appealing aesthetics, the Trellick Tower has appeared in many films, TV series and music videos.
Here is a gallery of some of the Trellick Tower’s most noted appearances…
Burning an Illusion (1981)
This pioneering film tells the story of Pat, a young, working-glass girl who wants to settle down in life but is increasingly frustrated in her relationship with boyfriend, Del.
After Del takes things too far, Pat realises that the time has come for her to stick up for herself and defend her rights.
In the film, the heroine is proud to own her own flat… which is situated in the lofty heights of the Trellick Tower.
After their first date, Pat’s soon to be troublesome boyfriend escorts his new love to her door all the way up on the 27th floor…
Tucker’s Luck (1983-1985)
In this spin-off from Grange Hill, the mischievous rogue, Tucker Jenkins finds himself recently out of school, struggling with the dole and high unemployment in 1980s Britain.
Episodes were filmed all around North-West London; Paddington, Harlesden, Acton, Shepherd’s Bush, Acton and Harrow. In the series, Tucker’s friend, Tommy Watson lives in the Trellick Tower as can be seen in the following clip (which also gives an idea of the impressive views over the city afforded by the Trellick’s sky-high corridors).
Starring Sadie Frost and Jude Law (in his first major role), Shopping followed a mob of teenagers who whiled away their hours joyriding and ram-raiding. Requiring a bleak council estate as a backdrop, the film’s makers naturally turned to the Trellick Tower.
Incredible Games (1994-1995)
Incredible Games was a BBC children’s quiz show in which teams carried out a series of challenges housed inside a futuristic skyscraper; the aim of the game being to ascend as many floors as possible.
The exterior of this dystopian arena was portrayed in the opening credits… and, as I’m sure you’ve already guessed, the building was in fact the good old Trellick Tower! I wonder what Erno Goldfinger would have thought of his cherished icon being used for such frivolous purposes!
The games were controlled by a ‘Max Headroom’ type character who controlled the proceedings via a video screen in the tower’s lift. This somewhat disturbing looking individual was played by David Walliams who of course later went on to find fame with Little Britain.
‘I Want’, Department S (1981)
Department S were a new-wave band whose most famous hit was, Is Vic There?
The follow up to this single was, I Want and the video featured several glimpses of the Trellick Tower. Much of the promo was filmed on the estate surrounding the high-rise; most notably next to the tracks which run alongside the estate, carrying trains in and out of Paddington; a vantage point which allows commuters a good view of the Trellick.
Incidentally, my uncle was the bass player in this group! Although his bass-work can be heard in the soundtrack, he does not actually make an appearance in the video… by this point, he’d fallen out with the band over ‘creative differences’!
Little 15, Depeche Mode (1988)
This video features lots of spinney shots; driving around the estate and darting down the Trellick’s stairwells.
For Tomorrow, Blur (1993)
An early video from the 90s Brit pop group, For Tomorrow was filmed all over London. Being such a famous landmark, it was only natural that the Trellick Tower got a look in.
This is Music, The Verve (1995)
Another song from the Britpop era, this video is a fantastic showcase for the Trellick’s architecture- even the tower’s boxy, metal lifts are employed on the shoot… very cool indeed!
We Won’t be Here (Revere, 2010)
A more recent video featuring the Trellick and a nice one to end this piece on as it sees a colourful bunch of red balloons being released outside the famous landmark… a gesture which I’m sure would have even forced dear old Erno Goldfinger to crack a smile…