Incredibly, it is almost fifty years since legendary musician, Jimi Hendrix’s sublime guitar skills became known to the world.
Born in Seattle, Washington on November 27th 1942, Jimi Hendrix obtained his first guitar- an acoustic model costing a mere $5- when he was fifteen years old.
In 1961 he enlisted in the army where he trained to be a paratrooper.
Military life wasn’t for Private Hendrix- perhaps most clearly demonstrated when he was caught dozing whilst on duty!
He was discharged in 1962 and, eager to forge a career in music, began touring clubs across the United States.
Over the next few years Jimi perfected his craft but despite his talent, he struggled to make a wage, remaining undiscovered and creatively stifled.
His luck changed in May 1966 whilst playing at the Cheetah club in New York.
Here he was spotted by Linda Keith– girlfriend of the Rolling Stones’ Keith Richards– who recommended the dazzling guitarist to Chas Chandler– former bassist for The Animals who was looking to establish himself as a manager.
Like Linda, Chas Chandler could see that Jimi Hendrix was indeed a very rare talent… and so decided to whisk him to London which, during the swinging 60s, was the place where Jimi Hendrix would flourish and make his name.
Tragically, it was also the city in which he would lose his life.
In tribute to Jimi Hendrix and to celebrate the exciting announcement that one of his former London homes will soon be opening to the public as a museum, I have compiled a list of some of the most notable London locations associated with the late, great performer…
11 Gunterstone Road, W14
Jimi Hendrix first arrived in London on 24th September 1966, flying into London Airport (which officially changed its name to ‘Heathrow’ that same year).
After several years as a struggling musician, Jimi Hendrix had very little to his name. When he boarded the plane in New York his only possessions were a change of clothes, a set of hair curlers, $40 (which he’d borrowed) and of course his beloved guitar.
Upon his arrival in London, Jimi was taken straight from the airport to 11 Gunterstone Road, West Kensington which was the home of British musician, Zoot Money, a major figure on the Soho scene at the time.
Whilst at the house, Jimi took part in a jamming session with Zoot’s friend, Andy Summers– who would later go on to play with The Police.
Scotch of St James Club, 13 Mason’s Yard W1
On the evening of 24th September 1966, Jimi Hendrix played his first ever UK solo gig at the exclusive Scotch of St James club in Mason’s Yard; a peaceful courtyard which is now dominated by the White Cube modern art gallery.
A stone’s throw from Buckingham Palace, the club was popular with The Rolling Stones and The Beatles, both of whom enjoyed the luxury of their own private tables. The Who and Stevie Wonder also spent time here.
Immediately after his set, Jimi met Kathy Etchingham and the pair embarked upon a two year relationship.
The following month, Hendrix returned to Scotch of St James with musicians Mitch Mitchell and Noel Redding, who together formed The Jimi Hendrix Experience and thus it was here that the trio performed their UK debut.
Les Cousins Club (now Club 49), 49 Greek Street W1
Originally opened in the 1950s as the ‘Skiffle Cellar’, Les Cousins (tucked away beneath the Soho Grill) was at the heart of London’s folk scene by the 1960s
After just a few days in London, Jimi Hendrix and Chas Chandler paid a visit to the club as regular guests, paying their own entry fee.
Blues musician, Alexis Korner was on stage that night and Chas Chandler asked if Jimi could join him on stage for a jamming session… needless to say the crowd were gobsmacked by the young American’s flair!
Westminster Polytechnic (now Westminster University, Regent Campus), Little Titchfield Street
On the evening of 1st October 1966, Cream were playing at this London Polytechnic campus when Jimi Hendrix rather audaciously asked if he could get up and jam with Eric Clapton, the UK’s undisputed guitar king.
Jimi’s skill and flamboyant style knocked Eric Clapton for six and, once back stage the Cream guitarist had to ask Chas Chandler if the American was ‘always that good?’!
Despite their guitar duel, Eric Clapton and Jimi Hendrix became firm friends.
Cromwellian Club (now gone), 3 Cromwell Road, SW7
Situated directly opposite the Natural History Museum, the Cromwellian Club was rumoured to have started life as an illegal gambling den.
By the 1960s, ‘The Crom’ as it was nicknamed had established itself as a popular casino and music venue, witnessing performances from the likes of Georgie Fame, Eric Clapton and a very young Elton John.
Jimi Hendrix played one of his earliest gigs here in October 1966.
Bag O’ Nails Club, 9 Kingly Street W1
The Jimi Hendrix Experience played a gig at the Bag O’Nails club on 25th November 1966, after which, Jimi remarked, “Britain is really groovy”- not a surprising observation considering the club backs onto the ultra-hip Carnaby Street.
At another Bag O’Nails gig on 11th January 1967, Paul McCartney and Ringo Starr were in the audience… it was the first time they’d seen Jimi play live and, naturally, they were entranced.
Later that year, Paul McCartney met his future wife, Linda at the club.
Blaises Club (now gone) 121 Queen’s Gate SW7
Located in the basement of the now demolished Imperial Hotel, Blaises (named after the cartoon character, Modesty Blaise) was a cramped, sweaty club which, according to Melody Maker journalist, Chris Welch, was a venue, “where musicians, agents, managers and writers allowed themselves to be deafened whilst imbibing quantities of alcohol.”
Jimi Hendrix appeared here on 21st December 1966 which led to one of first rave reviews: “Jimi has great stage presence and an exceptional guitar technique which involved playing with teeth on occasions and no hands at all on others!” (tricks which he’d learnt from old timers whilst on the US circuit).
Pink Floyd were another big name to appear at Blaises and the club can be seen in the cult 1967 film, The Sorcerers (in which Boris Karloff uses hypnosis to seriously mess up one cool cat’s mind!)
Please click below to view a clip of the Blaises club in its heyday:
34 Montague Square, W1
During the 1960s, the basement of this rather grand address was leased by Ringo Starr.
Consequently, the home has numerous connections with The Beatles– the song, ‘Eleanor Rigby‘ was developed here for example and in 1968 the racy cover for John Lennon and Yoko Ono’s, Two Virgins album was snapped on the premises.
Jimi Hendrix rented the basement from Ringo between December 1966 and March 1967, moving in with his girlfriend, Kathy Etchingham. Whilst at the address, Jimi composed ‘The Wind Cries Mary’.
Unfortunately Ringo had no option but to evict Jimi Hendrix when the guitarist, whilst under the influence of LSD, splashed paint all over the walls…
One of the most iconic photographs of Jimi was taken just across the road on Montagu Place outside the Swedish embassy. Sadly, the original street sign has since been removed.
Lime Grove Studios (now gone), W12
Between 1940 and 1991, Lime Grove in Shepherd’s bush was home to a BBC studio where many classic shows including Top of the Pops, Blue Peter, Doctor Who and a 1954 adaptation of George Orwell’s, 1984 (performed live and starring Peter Cushing) were filmed.
The Jimi Hendrix Experience filmed their first appearance for Top of the Pops here on 29th December 1966 with a performance of ‘Hey Joe’. Their next shoot took place on 30th March 1967– and can be viewed below.
Sadly, Lime Grove studios were demolished in 1993 and a modern housing development now occupies the site.
The Upper Cut Club (now gone), 1-39 Woodgrange Road, E7
Out beyond Stratford and past the former 2012 Olympic Park, this is probably the furthest east Jimi Hendrix ever ventured whilst in London!
Based in Forest Gate, the Upper Cut Club was in business for just one year between 1966 and 1967. Despite its short span, the club shone bright playing host to such greats as The Who, Otis Redding, Sam and Dave, Prince Buster, Ben. E. King and Nina Simone.
The Jimi Hendrix Experience appeared at the Upper Cut on Boxing Day, 1966…and it was here, whilst resting in the club’s dressing room, that Jimi penned Purple Haze, one of his most definitive hits.
A simple plaque now marks the site.
The Speakeasy Club (now gone), 48 Margaret Street, W1
Opened in 1966 a short distance from the bustle of Oxford Circus, the Speakeasy modelled itself on the illegal drinking dens which flourished during the era of American prohibition.
Visitors entered and signed in via a fake undertaker’s parlour… and were then permitted to enter the main club through a false wardrobe door! Inside, a menacing portrait of Al Capone loomed over the patrons.
This was one of Jimi Hendrix’s favourite London clubs and he could often be spotted hanging out with friends here.
Jimi’s first Speakeasy gig took place in February 1967… and it was here that he cheekily tried to chat up Mick Jagger’s then girlfriend, Marianne Faithful!
To be continued
Released in 1971 and directed by Stanley Kubrick, A Clockwork Orange was by far one of the 20th century’s most controversial films.
Based on Anthony Burgess’ 1962 novel of the same name (the title being inspired by the old Cockney phrase “as queer as a clockwork orange’), the story is set in a dystopian London of the near future and centres on Alex DeLarge–a sadistic youth with a passion for Beethoven- who leads his gang of ‘droogs’ through the city on nightly sprees of ultra-violent mischief.
After committing murder, Alex is finally locked up… but is soon offered a quick way out when he agrees to act as a guinea pig for the Ludovico Technique; a controversial brain-washing programme designed to suppresses the desire for violence (and something which caused actor Malcolm McDowell great pain and discomfort when it came to portraying these disturbing scenes).
In Britain, thanks to high levels of upset whipped up in the press, the film version of A Clockwork Orange gained such an intense notoriety that Stanley Kubrick himself withdrew his work from circulation; a self-imposed ban which remained right up until 2000.
So strict was this embargo that, in 1993 when the Scala Cinema in Kings Cross attempted to screen the film, Warner Brothers took the owners to court; an action which led to the cinema going bust thanks to the immense legal costs involved.
Considering A Clockwork Orange was filmed entirely around London and the Home Counties (including areas such as Borehamwood, Kingston-Upon-Thames, Elstree, Radlett, Brunel University, Bricket Wood and Wandsworth prison) it’s rather ironic that British audiences were forbidden from viewing Kubrick’s film for so many years.
Here are some of the film’s most prominent London-based scenes:
The Chelsea Drugstore
Whilst Alex’s nights are spent committing all manner of horrific acts whilst tanked up on drug-laced milk, his days are rather more civil… devoted to indulging his love of classical music; especially that of the “lovely, lovely Ludwig Van” Beethoven.
In one of the film’s scenes, we follow Alex, decked out in his dandiest threads as he peruses his favourite record shop (click below to view):
This scene was filmed in the basement of the Chelsea Drugstore; a modern building fashioned from glass and aluminium which opened on the King’s Road in 1968.
Open 16 hours a day, 7 days a week, the Chelsea Drugstore was an avant-garde, mini shopping mall, its three floors boasting eateries, boutiques, a record shop, bar, newsagent and chemist.
It also boasted its own ‘Flying Squad’… an exclusive team of women clad in purple castsuits who were employed to make unconventional home deliveries on their fleet of motorbikes. Groovy!
The Chelsea Drugstore was also name checked in The Rolling Stone’s 1968 hit, You Can’t Always Get What You Want.” (Speaking of The Stones, Mick Jagger was once earmarked to play Alex DeLarge in an earlier proposed adaptation of Burgess’ novel which never came to fruition…)
Although the Chelsea Drugstore ceased trading in 1971, the shops in the basement (as featured in A Clockwork Orange) remained in place until the late 1980s whilst the rest of the building became a wine bar.
Today, the building is occupied by the Chelsea branch of McDonalds.
Despite the inclusion of the psychedelic Chelsea Drugstore, A Clockwork Orange is mostly set against a cold, dystopian backdrop; a precedent set in Burgess’ original novel as the following excerpt, in which Alex and his gang are evading the police, atmospherically illustrates:
“Just round the next turning was an alley, dark and empty at both ends, and we rested there, panting fast then slower, then breathing like normal. It was like resting between the feet of two terrific and very enormous mountains, these being flatblocks, and in the windows of all the flats you could viddy like blue dancing light. This would be the telly. Tonight was what they called a worldcast, meaning that the same programme was being viddied by everyone in the world that wanted to… and it was all being bounced off the special telly satellites in outer space.”
In order to realise Burgess’ bleak, futuristic vision Stanley Kubrick turned to the modern, Brutalist architecture which was sprouting across London during the era in which the book and film were created; architecture which, as early as 1962, Anthony Burgess was already predicting would provide fertile ground for many unforeseen social ills.
In Burgess’ novel, Alex lives in “Municipal Flatblock 18a”, a block daubed in obscene graffiti and plagued by vandalism.
To represent this domestic seediness, Kubrick took his film crew to the newly built Thamesmead Estate; a vast, sprawling development near Woolwich in South East London.
Built on a former military site, the Thamesmead Estate, which was optimistically promoted as being the “town of the twenty-first century”, was built piecemeal between the 1960s and 1980s.
One of the film’s most famous sequences takes place on Thamesmead’s Binsey Walk.
Walking alongside the man-made Southmere Lake Alex, whose leadership has just been challenged, decides to show his droogs whose really in charge (click below to view):
In recent years, the Thamesmead Estate has been used as a set for the E4 comedy, ‘Misfits‘.
York Road Roundabout, Wandsworth
One of the most notorious scenes in Kubrick’s adaptation takes place at the very beginning of the film and involves a vicious assault on a hapless down and out as he lies drunkenly in a grimy, pedestrian subway.
The scene was filmed in the warren of walkways beneath York Road roundabout, which sits at the southern foot of Wandsworth Bridge.
Typical of the architecture of the time, York Road roundabout was laid out in 1969 and was pretty much brand new when Stanley Kubrick set up his cameras.
Today, the labyrinth beneath the roundabout is just as bleak and unwelcoming as it was some 40 years ago…
More recently, a large atom-esque sculpture of sorts has been plonked down on the roundabout, becoming something of a local landmark.
Apparently inspired by the 1950’s Atomium sculpture in Brussels, but kitted out with a bulky and intrusive advertising gantry, the tangle of metal doesn’t really do much to beautify the 1960s concrete…
As for the unfortunate tramp who was attacked by Alex and his droogs below Wandsworth’s grimy roundabout… don’t worry, he gets his own back…
After recognising the recently released (and now, thanks to his treatment, defenceless) Alex DeLarge glumly contemplating a view of the Thames, the tramp leads his own rabble in a revenge attack on the former and now defenceless yob, right beneath Albert Bridge; one of London’s most beautiful river crossings (click below to view):
Want more on Stanley Kubrick’s London? Then check out this post: A Monolith in St Katherine Docks…