Great Loss of Life: Oceanic House & the Titanic Newsboy
Quietly sitting on Cockspur Street just yards away from Trafalgar Square is a grand Edwardian block known as Oceanic House.
Oceanic House
The site was originally home to the Pall Mall restaurant where, on January 26th 1871 the Rugby Football Union was founded- an event now commemorated by a plaque.
Rugby Union plaque
Oceanic House was built between 1903 and 1906 as the London office for the Oceanic Steam Navigation Company– more commonly known as the White Star Line.
During their time, White Star operated many mighty vessels… the most famous being the luxurious RMS Titanic which sank during the early hours of April 15th 1912 whilst on her maiden voyage.
1,517 perished as a result.
The Titanic departs Southampton, 10th April 1912
Shortly after news of the Titanic’s fate reached shore one of the most iconic images associated with the disaster (and indeed the 20th century itself) was snapped outside London’s Oceanic House:
Newspaper boy bearing the awful headline outside White Star’s London office, April 16th 1912
The newsboy clutching the poster was Ned Parfett, a 16 year old lad from Waterloo’s Cornwall Road.
In 1916, four years after the famous picture was taken, Ned enlisted in the army and soon found himself embroiled in the hellish trenches of the Great War.
Ned’s service was exemplary- he was awarded the Military medal for bravery.
Tragically, aged 22, Ned was killed by a shell on the 29th October 1918 just 13 days before the guns fell silent on the armistice.
Outside Oceanic House today… where Ned Parfett once bore newspapers announcing the Titanic’s fate
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WW1 100: London’s Memorials… The London & South Western Railway Victory Arch (Waterloo Station, Part 5)
London & South Western Railway Victory Arch
Cab Road, Waterloo Station
Waterloo Victory Arch, Cab Road (map: Google).
As we’ve seen in earlier installments,Waterloo station developed in an extremely haphazard manner throughout the Victorian period.
Waterloo station during the Victorian era.
With the terminal divided into various sub-stations, platform numbers laid out in a manner defying all common sense and a set of tracks running directly across the main pedestrian concourse (a Health and Safety nightmare by today’s standards), it is perhaps no surprise that Waterloo was branded “the most perplexing station in London.”
Realising that their ultimate dream of establishing a grand terminal within the heart of the City was off the cards, the board of the London and South Western Railway decided to completely redesign Waterloo and forge it into a station fit for purpose.
Work on the rebuild began in the late 1890s but progress was slow… with one of the main obstacles being the outbreak of hostilities in 1914.
During the Great War, 585 employees of the London and South Western Railway were killed whilst fighting for their country.
Brothers in Arms… two siblings who served in the Great War; one in the Navy, the other in the Army bid farewell at Waterloo station.
In recognition of this appalling loss, the company decided to incorporate a bold war memorial- a ‘Victory Arch’- into the new station’s entrance in honour of their fallen workers.
Waterloo station’s ‘Victory Arch’.
The new station- the Waterloo familiar with today’s commuters- was finally completed in March 1922.
King George V was due to conduct the opening ceremony but was forced to bow out due to illness, so Queen Mary stepped in to do the honours.
A number of decorated veterans from the Great War were also in attendance for the grand event… please click below to view footage of the station’s opening.
Although millions of passengers sweep beneath Waterloo’s Victory Arch every year, very little is known about its creator, other than that he is believed to have been a Mr Charles Edward Whiffen, a Cheltenham-born sculptor who lived and died at Altenburg Gardens, Clapham.
When he died in 1929, Charles Whiffen had just £662 and 15 shillings to his name.
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Waterloo’s Victory Arch is dominated by a sculpture of Britannia bearing the torch of liberty.
Britannia, high over Waterloo’s main entrance.
Below Britannia, the names of the Great War’s major theatres are listed in a carved arc: Belgium, Italy, Dardanelles, France, Mesopotamia, Egypt and the North Sea.
The Great War’s main battlefields…
Either side of the arc stand two further sculptures.
Figures on the left and right representing 1914 and 1918.
On the left, representing the outbreak of war in 1914, squats Bellona; the ancient Roman goddess of war.
Bellona…Roman goddess of war.
This suitably demonic figure holds court amongst a terrified entourage.
Figures cowering beneath Bellona.
On the opposite side of the arch, representing peace and the 1918 armistice, sits Athena; the goddess of courage and wisdom.
Athena, who is accompanied by a far more relaxed group than the unfortunate bunch cowering around Bellona, is depidted clutching two objects; a palm of peace and a miniature figure of Nike; the winged goddess of victory.
Athena representing peace in 1918.
Solemn plaques, bearing the names of the many LSWR railwaymen lost in the conflict line the interior of the arch.
One of a number of plaques inside Waterloo’s main entrance listing the many men of the London and South Western Railway who died serving their country.
If you are a regular user of Waterloo, please spare a thought for these long lost names… and remember that missing your train by a few minutes is nothing in comparison to the hellish conditions in which these young men met their awful fate.
Troops say goodbye to their families at Waterloo Station before heading for battle (image: Christian Broom).
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WWI 100: London’s Memorials… Finsbury War Monument
Finsbury War Monument
Spa Green, Rosebery Avenue
Just across the road from Saddler’s Wells Theatre on Rosebery Avenue is a small, pleasant park called Spa Green, a major feature of which is the Finsbury War Monument.
Unveiled on the 15th September 1921 and costing £3,000 (approximately £88,000 in today’s money), the memorial was funded by donations from local residents to commemorate the men of the Metropolitan Borough of Finsbury who had fought and died in the Great War (Finsbury was abolished as administrative district in 1965 and now comes under the London Borough of Islington).
Finsbury War Monument at the time of its unveiling in 1921 (image: London Illustrated News)
Because it is representative at a distinctly local level, the monument is unusual in that it commemorates all three branches of the armed forces as well as specific battles in which they fought.
The north-west side is dedicated to the Finsbury Rifles (the 11th London Regiment) who fought in France, Belgium, Gallipoli, Egypt, Palestine and Syria. A bronze plaque depicts their part in the Second Battle of Gaza which raged against the Ottoman Army for several days in April 1917.
The Second Battle of Gaza, as depicted on the Finsbury War Monument.
Originally there were two other bronze reliefs depicting other battles attached to the plinth. Sadly, they were stolen many years ago and have been replaced with granite inscriptions.
On the north-east side, the navy are commemorated; “These are they that went down to the sea in ships and did business in great waters…”
Finsbury War Monument’s naval dedication.
More specifically, the Zeebrugge Raid of April 23rd 1918, in which the Royal Navy attempted to block German access to the Belgian port, is commemorated. The raid resulted in the loss of 200 lives and saw 8 Victoria Crosses awarded.
Aerial view of the Zebrugge Raid aftermath (image: Wikipedia).
The south-east side of the memorial is dedicated to those who flew, fought and died in the Royal Flying Corps throughout the duration of the war. The granite plaque is aptly adorned with a little propeller set against a blue background.
Also commemorated on the south side are those of the Honourable Artillery Company who fought in Egypt, Palestine, Italy, Belgium, Aden and Syria. A third, smaller plaque was added at a later date in memory of those who died in WWII.
The large statue on top of the plinth is a representation of the Roman goddess, Victory and was sculpted by Thomas Rudge at his studio on Bolingbroke Grove, Wandsworth.
Today, Rudge’s sculpture appears to be a very popular spot for London’s pigeons whose gentle flapping and cooing is often the only sound to be heard in this solemn, peaceful place.
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View from the Mirror 